Mumbai, Dec 14 — Actor‑director Kunal Kemmu, who is receiving positive response for his role in the recently released streaming series Single Papa, has offered insights into how he views the difference between working in cinema and long‑format content such as web series. Kemmu was speaking during the promotional tour for Single Papa when he shared his perspective on what sets the two mediums apart.
Kemmu explained that one of the key differences lies in the timeframe and depth of character exploration. In films, an actor generally has a limited runtime roughly two to three hours to portray a character’s arc. This means delivering a compact, impactful performance within a tight structure.
By contrast, long‑format content, which spans multiple episodes over many hours or seasons, gives actors greater opportunity to “live” the character more deeply, explore evolving relationships, and reveal different emotional layers over time. “You get to build the arc of that character in depth because it’s not like a two‑hour or two‑and‑a‑half‑hour journey,” Kemmu told IANS.
Kemmu also highlighted that the writing stage plays a crucial role in this distinction. He noted that writers are the “architects of the ship,” building character detail and narrative complexity that can evolve over episodes. “If it’s well written, a well‑written part makes the job of an actor easier, and the audience eventually enjoys it. But if it’s not, then it can get taxing,” Kemmu said, underscoring the importance of strong scripts in keeping both the actor and viewers engaged over longer durations.
Talking about his experience working on Single Papa, Kemmu said that long‑format storytelling allowed him to dive deeper into the character’s relationships with other characters, enabling more nuanced performances. He explained that the immersive nature of extended episodes helps actors connect more intimately with their roles, which contrasts with the relatively condensed journey of film characters.
Single Papa marks Kemmu’s third streaming series following roles in Abhay and Pop Kaun? In between these digital ventures, the actor ventured into direction with his directorial debut in cinema, Madgaon Express, which has attracted attention and praise.
Kemmu’s reflections resonate with a broader industry shift where many actors and filmmakers are exploring both cinematic releases and long‑form digital storytelling, each offering distinct creative challenges and audience experiences.
For Kemmu, the difference between cinema and long‑format content is not just about runtime but about the creative space to explore characters, relationships, and narrative arcs more fully. With the evolving entertainment landscape, his perspective highlights why many artists are embracing both mediums to broaden their craft and storytelling impact.
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